Sculpture (Sculpture)

In Bodily Study of Unthinking Groups, Harrison combines two disparate materials into one stratified stack: automotive clay (used in detailing cars) forms the earthy base, while fragments of zebra skull become imbedded in this falsified soil. Harrison’s forged archeological artifact compresses two cultural contexts together: that of Africa, represented by the bleached zebra skull; and that of Detroit, the birthplace of the American car. Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others.

Sculpture (Sculpture)

In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans.

Film & Video (Film & Video)

Facing one another, each projection screen of the work Food Fight respectively features Tobias Fike and Matthew Harris preparing multi-course meals at a kitchen counter. As the artists dice, mix and plate meals, they begin throwing food at each other—the scene rapidly turning into a battlefield made of food projectiles, broken glasses, and dirty settings. Disruptive, playful, and aggressive, the protagonists’ actions fuse the spontaneity and innocence of children’s games with the force and reality of adults.

Installation (Installation)

Matthew Darbyshire has made several Furniture Islands, all of which employ different objects and different color values. Furniture Island No 3 looks like a shop display tastefully arranged in complementary colours. Darbyshire’s use of colour is like that of a designer or a painter.

Drawing & Print (Drawing & Print)

In the first part of Cosmic Call by Angela Su the voiceover proposes in a neutral, documentary-like tone, a series of stories to rethink the way we usually understand, justify, or place blame for epidemiological events. Comets carrying an infective bacterium are linked with the invasion of viruses—our current nemeses—coming from outer space. Second-century BCE medicinal writings correlated the appearance of 29 comets over 300 years with events including plague and drought.

Installation (Installation)

Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*. He elaborates a historiographic narrative of this place and switches it into the domain of science fiction by proposing a photograph of the Memorial as it should appear in 500 000 years. The effigies of Washington, Jefferson, Lincoln and Roosevelt become unrecognizable.

Film & Video (Film & Video)

Produced in an interview format and as an extended chapter of Cosmic Call (2019) in the KADIST Collection, Angela Su’s True Calling by Angela Su documents the artist’s answers to a series of questions on the conception of her 2019 film that proposes speculative cosmic synchronicities for an alternative understanding of epidemics that is not built on the foundation and authority of Western medical science. Set in Hong Kong, each of the locations draw connections to places commonly tied to dominant disease outbreak narratives, such as a bustling wet market with butchers handling and selling raw meat products and the Hong Kong West Kowloon Railway Station, a cross-boundary transport terminus that sees a high traffic footprint and directly linking Hong Kong’s city center to Mainland destinations without interchange. As the artist travels around the city, she observes systems of surveillance such as police officers patrolling, security cameras, and an encircling helicopter, all playing an important role in managing the population and instating health security.

Drawing & Print (Drawing & Print)

From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations. Yet, upon closer look, sexual organs and imagined human and plant elements start becoming recognizable, and realistic. Each intricate, large-scale drawing indeed mixes human body parts, machines and other organic constructions as they become intertwined and inseparable.

Film & Video (Film & Video)

Board has a deadpan quality worthy of Buster Keaton. With this work, Wood and Harrison create an intimate, formally structured mise-en-scène in which they use their own bodies in interaction with a wooden board. The artists elaborate an orchestration of the comic consequences of inertia, gravity, and the law of falling bodies in this low-tech physics experiment.

Drawing & Print (Drawing & Print)

L’effeuillage des effacements (The Stripping of Erasures) 2016, presents a piles of posters gathered in decreasing chronological order from 2015 to 2400 B. C. of 150 historical episodes of debt cancellation (one event per poster). Unlike usual stacks, each poster is different, in its content, but equally in its design (realized by the graphic studio Vier5). As the public takes the posters, the artwork developed into a verified history of cancellation that emerges, a kind of counter-history of indebtedness.

Painting (Painting)

The Lion’s Hunt by Matthew Lutz-Kinoy is a large format painting that recalls Delacroix’s paintings and tapestries from the 19th century, where the painterly surface became a garden invaded by wild beasts. In Lutz-Kinoy’s painting, two ferocious lions appear to be preying on several horses. Accentuated by luminous browns and yellows, the lions evoke imperialist fantasies.

Sculpture (Sculpture)

Plane is an inflatable sculpture in the shape of an aeroplane made from numerous pieces of plastic bags assembled by an iron. The object is inflated by a fan at the structures base and deflates when it is deprived of its power source, causing the plane to sink. It is in this process that plane leans on its wings, evoking a crash, a defeat, or a failure.

Film & Video (Film & Video)

Superb production values and special effects that in the hands of Miguel Angel Rios do not get in the way or distracts from the content and deep essay of this work. The shadow of Modernity represented via a clear cube floats over and through a barren landscape in Latin America. Juxtaposing the corrupt politics of the land, with the artist’s struggles and questioning of the effects and burden of influence of Modernity.

Film & Video (Film & Video)

For Piedras Blancas , arguably his most ambitious and visually arresting video to date, Miguel Angel Ríos made 3,000 “piedras” out of a concrete/stone composite. The video is shot in arid, mountainous locations in Mexico (his adopted country) and Argentina (his home country). Over several months, Ríos scouted locations for natural-worn tributaries where he eventually allowed these balls to then thunder down the mountain.

Film & Video (Film & Video)

One of John Wood and Paul Harrison’s earliest works, Device features Harrison performing a series of actions, assisted by the titular ‘devices’, that use physics to force his body into unusual and uncomfortable positions. Maintaining his signature deadpan expression throughout the video, in one scene Harrison is thrusted into the air by a slowly inflating balloon until only his feet are visible in the frame, while in another he levitates in diving position with the help of a pulley system. Wood uses his body and specially-designed props created by the artist duo to explore the space of the screen in hilarious, and sometimes clumsy or violent, ways.

Film & Video (Film & Video)

3-Legged is an early video work by John Wood and Paul Harrison in which they appear with their legs tied together (as one would do in a three-legged race). Wood and Harrison stand together in a narrow alcove built into their studio, dressed similarly in grey long sleeve shirts and jeans. Facing a tennis ball machine that is almost completely out of view, with only the barrel of the machine protruding from the bottom of the frame, they hobble back and forth across the alcove attempting to avoid the tennis balls launching toward them, with varying degrees of success.

Installation (Installation)

Antillas

Sculpture (Sculpture)

As with so many other colonized geographies, the ways in which violence has become a natural and expected component of Santo Domingo reflects the forced friendship between the beneficiaries and residues of Modernism. What distinguishes these two communities? What separates them?

Drawing & Print (Drawing & Print)

In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system.

Film & Video (Film & Video)

Letters of the Greek alphabet glisten on a black background. When a letter appears, there is a sound. Each letter corresponds to a star in the sky.

Photography (Photography)

On January 7th, 2020, artist D’Angelo Lovell Williams was diagnosed with HIV. Only a handful of chosen family members knew up until the public announcement that coincided with the release of this body of work. According to the artist, “discovery” is key to this group of large photographs.